Tag Archives: Christian publishing

Why We Have Turned from Writing to Great Books

Some friends of Perelandra College don’t quite understand why we have turned from a writing emphasis to a Christian great books program.

First I will note that we still offer our writing classes and can still grant certificates in writing. 

From the beginning, a goal of ours has been to raise the quality of writing that engages and honestly informs readers about Christ and Christian people. We aimed for this goal because we had assessed that the vast majority of books labeled Christian were hardly thought-provoking or honest. 

Over seventeen years we have recognized that to accomplish this goal, writers need to learn more than skills. They also need to learn to think more deeply, critically, and open-mindedly. W have no mission to teach writing skills to those who would imitative or dishonest stories. 

Our Christian wisdom program promotes earnest, independent, and original thought by asking students to respond to the ideas of a variety of brilliant thinkers. Our hope is that given such a background, the writing skills we teach will be put to valuable use.

The System

I read a masterful analysis of how corruption worked in Los Angeles during a certain period: business interests needed organized crime because crime bosses rented their buildings, used their construction companies, and provided goods and services they prized. Politicians needed business people whose support won them terms in office. The legal community, district attorneys, police commissioners, and judges  needed the politicians, who could hire and fire them at will. Cooperation benefitted them all.

I’ll describe the contemporary Christian community with a similar analysis.

Churches need book publishers and journalistic media to promote their ministry and to validate their messages. Christian publishers need churches as a platform through which authors can promote books. And Christian media supports itself by promoting the publishers and appealing to the generosity of believers nurtured in the faith by churches. Cooperation benefits them all.

The similarity of these systems doesn’t mean the Christian community is corrupt. My reason for pointing it out is to reveal that, though intentions may be pure and noble, the alliance of churches, publishers, and media effectively suppresses the freedom and vigor of Christian art and culture. Currently, the only voices or views that get widely proliferated are those in accord with and beneficial to churches. The System acts as a censor.

Though I love my home church and wish all churches well, I know that among their motives are some more practical than spiritual. A church needs to pay the bills, keep the doors open, and provide the parishioners with what they came looking for.

Churches do wonderful service. What they don’t do is shed light on many critical issues or make room for strikingly original, provocative, or simply alternative voices.

Perelandra College exists to do what churches don’t, to invigorate Christian culture and to free artists and thinkers restrained or discouraged by the system. This by no means limits us to serving only Christ followers. Rather we welcome everyone and are vigilant to ensure that beliefs of all sorts are honored and valued.

Still, the college was founded as a non-profit religious corporation, essentially a church whose target congregation is artists, whose primary mission is to empower believers with skills and courage, to help them become free and able to write and publish the truth as they see it.

Sylvia Curtis, a wise friend, sometime mentor, sometime antagonist and the basis for a character in several of my novels viewed humans as either people of good will or the others. Lately I also find myself dividing humanity and especially believers into two categories: answer people and question people. Though hardly anyone is all one or the other,  in most of us one of those categories dominates. Perelandra College is a church for question people, which artists must be.

Olga Savitsky is the college’s eternal poet laureate. She and I used to imagine the sort of church we wanted to create. Lots of poems and stories would be read or performed, and crazy drama like Christina Roseti’s “Goblin Market” and Flannery O’Connor’s “A Good Man is Hard to Find”.  Over the front door would hang a big sign: “No B.S. allowed.”

The Scoop, our monthly e-magazine, now features a section called stuff you probably won’t hear in church, the point of which isn’t to criticize or expose but to offer a Christian perspective from outside the System. Please visit us. Subscribe and get the Scoop.

•• Time travel with detective Tom Hickey, at: kenkuhlken.net